I think my own deification of Kojima bears a lot in common with my lionisation of Kanye. And games have a real problem with crediting those who work on them, too. While there are absolutely games made by tiny teams, or even solo creators, the games you see at E3 or on The Game Awards or hiding under red sale signs at EB Games are by and large created by their own armies. It is common in video games to hold up a single creator, even if that isn’t remotely true - and hasn’t been for a long time.

Now that Jesus is King marks, for me, the second swing and a miss in a row (and a contemptuous one at that), it’s starting to become clear that Kanye West might not even be the best captain at the helm on the good ship Kanye West. That liking Kanye West’s music was by no means the same as liking Kanye West. The stern visage representing ‘the party’. That there is a long list of uncredited effort in any Kanye West beat, line, song, album. I know this is (was) naivety, but for a long time I didn’t realise Kanye West’s best stuff was ghostwritten. Death Stranding Review: The Director’s Cut Unshackled by the burdensome bonds that bind our sensibilities, Joab Gilroy’s untarnished vision of a Death Stranding Review (A Director’s cut if you will) is now here for everyone to bask in.

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